Society of Illustrators 54

Hello All,

I am just writing to tell of and show some pictures of the Society of Illustrators 54 Uncommissioned, Sequential, and Moving Image show. The opening night party was wonderful, tons of treats to snack on and plenty of wine. The room was buzzing with new artists who are breaking onto the scene, and seasoned professionals sharing in the revelry. All the awards went to deserving artists, and it seemed as though all the winners were sincere in their gratitude. So here are the pictures of the show and some of my favorites:

The Show from the entrance.

Chris Buzelli's Krampus

Greg Manchess showing why he's a master: he doesn't even need to hint at an elbow, smudged paint is fine.

John Hendrix

This was my spot on the lower level.

Probably my favorite of the show, Byron Eggenschwiler's creepy series. They remind me of a modern twist on Edward Gorey.

Comments

Smilodon and Elasmotherium

I have just finished another two paintings in my ongoing Prehistoric Creatures series. The most recent four in the series have all been mammals that lived millions of years after the dinosaurs went extinct. I plan to do seven of these mammals and then go back to dinosaurs, maybe group them into Prehistoric Creatures Series 1, Series 2, etc. They are all for sale, but they have been snatched up quick, so if anyone as inquiries on pricing, please email me at owweberillustration@gmail.com . I have been doing pencil portraits of many prehistoric animals on my instagram account, and these two have gotten the most likes, which is a great way of knowing which creature to paint next for this series. Smilodon is very well know. Along with the Woolly Mammoth, it's one of the most well known extinct creatures from the Early Pleistocene era. It was only a matter of time before I was going to paint this guy. I wanted to show it in a way that was not often depicted. We've all see

The Magic Feather

This is a piece I did for the Running with Paintbrushes blog Scott, Becca, and I are doing. The assignment was to do a young adult oriented image based on "Flight". Mine is more of a children's piece. I had a great time doing this piece, and am really happy with the final product. Really fun, got to take my subject matter less seriously. The Magic Feather , 11" x 17", Oil on Paper on Masonite, 2010.

Frostbite and Irish Elk

Yesterday, I received my contributor copy of Elder Sign: Omens of Ice which holds the painting "Frostbite" that I painted for it last year. The idea behind it was that it was a man who had been frostbitten in his hands and face, in a New England town in the early 20th c., I believe. The AD wanted him screaming and being brought into an ambulance. I love doing this type of stuff, but I'm never given these types of assignments, so I was very excited. And a word to the wise, don't google image search "frostbite", it's truly awful to look at. Here is the sketch that I came up with: Frostbite Sketch, 12" x 8", Pencil. The AD thought the screaming mouth was a bit too much, so I closed it and went ahead with the painting. Here is the final: Frostbite , 12" x 8", oil on paper on masonite, 2015. ©Fantasy Flight Games Another piece that I just finished and then immediately sold was my "Irish Elk" piece. This animal w

Owen William Weber Illustration

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